Also by this author

Joanna Goodman Book Harmony


The Home for Unwanted Girls

  • Summary
  • Reviews
  • Book Clubs

"The novel centers around the definition, the challenges, the triumph of family, but it also acknowledges that Elodie and Maggie's story is one of many. The ending hits a perfect emotional note: bittersweet and honest, comforting and regretful." - Kirkus Reviews


Philomena meets The Orphan Train in this suspenseful, provocative novel — the story of a young unwed mother who is forcibly separated from her daughter at birth and the lengths to which they go to find each other.

In 1950s Quebec, French and English tolerate each other with precarious civility—much like Maggie Hughes’ parents. Maggie’s English-speaking father has ambitions for his daughter that don’t include marriage to the poor French boy on the next farm over. But Maggie’s heart is captured by Gabriel Phénix. When she becomes pregnant at fifteen, her parents force her to give baby Elodie up for adoption and get her life ‘back on track’.

Little Elodie is raised in Quebec’s impoverished orphanage system. It’s a precarious enough existence that takes a tragic turn when Elodie, along with thousands of other orphans in Quebec, is arbitrarily declared "mentally ill" as the result of a new law that provides more funding to psychiatric hospitals than it does to orphanages.

Bright and determined, Elodie withstands abysmal treatment at the nuns’ hands, finally earning her freedom at seventeen, when she is thrust into an alien, often unnerving world.

Meanwhile, Maggie, married to a businessman eager to start a family, cannot forget the daughter she was forced to abandon, and a chance reconnection with Gabriel spurs a wrenching choice. As time passes, the stories of Maggie and Elodie intertwine but never touch, until Maggie realizes she must take what she wants from life and go in search of her long-lost daughter, finally reclaiming the truth that has been denied them both.

The Story behind the Story

The Home for Unwanted Girls is inspired by the story of Joanna's mother, who was the daughter of an Anglo "Seed Man" and a French-Canadian mother. Joanna is married to a French-Canadian man, and Joanna is bi-lingual and multi-cultural.

The book also features an historical angle: Maggie's search to find out what happened to her daughter, and Joanna's portrayal of Elodie's travails in various mental institutions, is a tragedy of operatic dimensions, all the more so because it is based on fact. In the province of Quebec in the early fifties, there was a dark period when the orphans were declared mentally ill because the government paid the Church more money for wards of hospitals than they paid for orphans. Overnight, on Change of Vocation Day, the children's educations stopped abruptly and they were told they were "mentally deficient." Many of them were shipped off to actual psychiatric hospitals, where they lived with the mentally insane well into adulthood.

"Family members force a teenager to give up her daughter for adoption in 1950s Quebec. At a time when Quebec is not only divided, but violently polarized by the tension between French and English cultures, Maggie cannot understand what keeps her polished English father, owner of a prosperous seed store, married to her working-class, rough-spun French mother. When she falls passionately in love with Gabriel, a poor French farm boy, at 15 and ends up pregnant, her parents forbid her to keep the baby. Maggie goes on to marry a wealthy man, but she never forgets her daughter, Elodie, and finally begins to make inquiries to find her. The narrative becomes split between Elodie's life and Maggie's life. Raised by nuns at a local orphanage, Elodie is an energetic child, but when the little girl is 7, the Canadian government carries out a ruthless plan to rebrand all Catholic orphanages as homes for the mentally ill. Practically overnight, thousands of orphans are designated mentally unfit, lost in a system of abuse and neglect. Maggie's attempts to locate her daughter are stonewalled and met with lies; it's not until more than 20 years later that she learns the truth with Gabriel's help. This is a strongly political novel about the little-known injustices that mark a particular time and place, but it's also a very personal story. Goodman's biographical blurb acknowledges that it's based on the story of her own mother. Perhaps because of this, the characters who could have easily come across as types or clichés take on a great emotional depth. The novel centers around the definition, the challenges, the triumph of family, but it also acknowledges that Elodie and Maggie's story is one of many. The ending hits a perfect emotional note: bittersweet and honest, comforting and regretful."
- Kirkus Reviews

"Told against the tumultuous political backdrop of 1950s Quebec is the story of Maggie, the daughter of a proper English family, becomes pregnant with the child of her first love, French neighbor Gabriel. Forced to leave Gabriel and the lower-class lifestyle he can offer her, Maggie is sent away to have the baby, who is given up for adoption so that Maggie can return to the respectable life that her parents envision. While Maggie makes an ill-fated attempt to live up to her parents’ wishes, her daughter, bright and inquisitive Elodie, grows up in a nearby orphanage until the law changes and all orphans are declared mental patients. Elodie endures life under the nuns’ cruel regime until her release into a foreign world at 17 years old. Only after Maggie and Elodie escape from the confines of their respective institutions can the family be reunited. While emotional at times, Goodman’s latest (after The Finishing School, 2017) is a study of how love persists through the most trying of circumstances. Deep and meaningful, this novel captures the reader’s attention...
— Nicole Foti

5 stars!
"Joanna Goodman has written a beautiful novel containing the entire range of emotions experienced by the human heart... This book is the story of Maggie and Elodie, but also the chilling story of so many Quebec children who were abused at the hands of nuns and priests when they had no one to advocate for them. Goodman handles this heartbreaking topic with grace and skill. The heartbreaking exists alongside the heartwarming here, and rather than seek to “solve” this dark moment in Canadian history or gloss over it, Goodman unpacks it and sits with it, looking for hope amidst the ruins. The result is beautiful and at times breathtaking.... This is the story of a girl, of love, and of family... If you are a fan of historical fiction, sweeping family epics, or a beautifully written page turner that will rip your heart in two and then melt it back together; this one is for you. The heart wrenching beauty of this novel is not one that is easily done justice in a review: I suggest you go see for yourself."
- The Required Reading List

If you’re interested in having me at your book club via Skype, please contact me and I’d be happy to join you!


  1. How does the prologue (or poem at the start of the book) frame the rest of the novel? How does it relate to the book’s themes?
  2. What would Elodie’s life have been like if she hadn’t been given up?
  3. What would Maggie’s life have been like if she hadn’t had Elodie?
  4. If you were presented with the same choice as Maggie, would you do the same?
  5. Are Maggie’s father’s actions justified? Do you forgive him?
  6. What draws Maggie to her first husband? What does her marriage to her first husband say about her relationship to her family and heritage?
  7. What does “The Home for Unwanted Girls” mean? What does it mean for a child to be “unwanted” in this context?
  8. How do Maggie’s and Elodie’s abusers justify their actions? How has this shaped both women?
  9. What do you think of Gabriel? Do you understand his perspective? Is he a healthy partner for Maggie?
  10. What are your thoughts on Maggie’s mother? Is she another abuser, or a devoted mother who has made mistakes?
  11. How does Maggie change from the start of the novel? From a teenager to an adult? Do you admire her at the end of the book?
  12. The book shifts between mother and daughter. How does this change your understanding of the book? Why do you think the author chose to tell the story in this way?
  13. How do you feel about the nun who kept Maggie and Elodie apart? How do Maggie, Elodie, and Gabriel cope with her cruelty?
  14. What do you think of the ending? Do you feel optimistic about their future?
  15. How do Elodie, Maggie, and Maggie’s mother approach motherhood? How does motherhood change how they think of themselves?

In the early 1950’s, Quebec Premier Maurice Duplessis falsely classified thousands of orphans as mentally ill in order to get more funding. At the time, the federal government paid higher subsidies to mental hospitals than it did to orphanages. Overnight, these orphans—considered “children of sin” born to unwed mothers in a time when abortion and contraceptives were illegal—were declared “mentally insane.” Orphanages were converted to mental hospitals, schooling stopped and many of the children were shipped off to proper psychiatric institutions run by the Catholic Church, where they suffered heartbreaking sexual and physical abuse. Some were lobotomized and others died there. Without a basic education, the survivors often faced a life of poverty and discrimination that followed them long after they left the hospitals.

This is the setting for my new novel, The Home for Unwanted Girls. In 1950, Maggie, an unwed mother, is coerced into giving up her infant daughter, Elodie. As one of the “Duplessis Orphans,” Elodie is eventually declared mentally insane and institutionalized, even though she knows in her heart she is not crazy. Her mother, Maggie, embarks on a decades-long quest to find her daughter in a system invested in keeping them apart.

I’ve always been fascinated with Quebec politics, particularly with the long volatile history between French and English. I was first inspired to write about my mother’s childhood growing up in Quebec with a French-Canadian mother and an Anglophone father, and the confusion she felt at being neither fully one nor the other in a province that demanded a side be picked. It was during my research that I stumbled upon the shocking history of the Duplessis orphans, and I knew I had to tell their story. If you want to learn more about this dark period in Canadian history, you may find the following links very insightful. meet-irish- mother-baby- homes-1.4142930



  • Summary
  • Reviews

A richly nuanced and compelling tale about secrets, redemption and one woman's effort to live fully as a wife, mother and herself.

“Goodman's second (after Belle of the Bayou ) offers a generously imagined panorama of life crises.” – Publisher’s Weekly


You Made Me Love You

  • Summary
  • Reviews

Generous-hearted and wickedly funny, You Made Me Love You is the story of three appealing sisters who each face life-altering decisions about love, work, ambition, and family. “Make it in Hollywood” is Estelle Zarr's mantra. She's made it to Hollywood, but she's still far from her dream of becoming a celebrated film editor. Her sister Erica is in New York, where she has flailed from one enthusiasm to another. She's currently writing and living with a major New York novelist, but Erica is finding little comfort in the literary salon. Meanwhile in Toronto, Jessie's perfect life, set in stone at age twenty-one when she married a doctor and then had two children, is beginning to crumble. As hilarious as it is poignant, You Made Me Love You brings a fresh eye to modern women's lives.

"You Made Me Love You is full of humour, wisdom, and hope. Joanna Goodman has a wonderful ear for dialogue and a sharp eye for the nuances of life."—Joy Fielding

“This book held me from its beginning to its end. It is funny, superbly written, and never fails the reader with its realistic outlook on love and relationships. A truly enjoyable read.”—Donna Morrissey


The Finishing School

  • Summary
  • Reviews

How far would you go to uncover the truth? In this suspenseful, provocative novel of friendship, secrets, and deceit, a successful writer returns to her elite Swiss boarding school to get to the bottom of a tragic accident that took place while she was a student twenty years earlier.

One spring night in 1998 the beautiful Cressida Strauss plunges from a fourth-floor balcony at the Lycée Internationale Suisse with catastrophic consequences. Loath to draw negative publicity to the establishment, a bastion of European wealth and glamour, officials quickly dismiss the incident as an accident, but questions remain: Was it a suicide attempt? Or was Cressida pushed? It was no secret that she had a selfish streak and had earned as many enemies as allies in her tenure at the school. For her best friend, scholarship student Kersti Kuusk, the lingering questions surrounding Cressida's fall continue to nag long after she leaves the Lycée.

Kersti marries and becomes a bestselling writer, but never stops wondering about Cressida's obsession with the Helvetian Society-a secret club banned years before their arrival at the school-and a pair of its members who were expelled. When Kersti is invited as a guest to the Lycée's 100th Anniversary, she begins probing the cover-up, unearthing a frightening underbelly of lies and abuse at the prestigious establishment. And in one portentous moment, Kersti makes a decision that will connect her to Cressida forever and raise the stakes dangerously high in her own desire to solve the mystery and redeem her past.

An unputdownable read as clever as it is compelling, The Finishing School offers a riveting glimpse into a privileged, rarefied world in which nothing is as it appears.

"Toronto-based author Joanna Goodman draws upon memories from a year spent at a Swiss boarding school in her youth to create the vibrant and believable world in The Finishing School, her fourth novel. This book is addictive because of the mystery it explores: the tragic death of beautiful student Cressida Strauss in 1998, which resurfaces in the present day in the form of a cryptic letter that Kersti Kuusk – Cressida's best friend and roommate at the time of her death – receives from a former classmate. But what's also notable is the deftness with which Goodman presents the complicated, passionate nature of friendships during formative years, as well as the fascinating and formidable depths people will go to in order to get what they want. Also enthralling (and at times painfully accurate) is Goodman's portrayal of Kersti as a bestselling writer who struggles with self-doubt and the dichotomy between what she wants to write and what she thinks she should write. In the midst of personal turmoil, Kersti finds a strange sort of refuge in throwing herself back into the world she inhabited with Cressida. While in Switzerland for an alumni event, she begins to delve into the unsolved aspects of her friend's death and ultimately makes a decision involving her own life that has far-reaching implications. The Finishing School offers both a compelling look into an exclusive world and a wise and heartbreaking story of a friendship and misplaced passion.”
— The Globe and Mail

"As a successful novelist, Kersti Kuusk appears to have it all, but feelings of inadequacy have haunted her entire life. Back when she was reluctantly enrolled at a prestigious boarding school, Kersti’s working-class upbringing contrasted starkly with the lives of her privileged classmates. Destined to be an outsider, she instead is taken under the wing of popular, beautiful, worldly Cressida, who’s hiding a devastating secret. Twenty years after leaving school, Kersti receives a mysterious letter from a classmate, stirring memories of Cressida’s suspicious fall from her balcony. Kersti decides to escape her current shortcomings and search for answers. Spanning between her childhood memories and Kersti’s present day, Goodman’s fourth novel craftily depicts a mystery hidden for decades under the veil of boarding-school tradition and secret societies. Through the lens of Kersti’s research, Goodman unravels a web of lies intertwining the well-developed characters that cross Kersti’s path. Each discovery draws Kersti and the reader in a different direction until she finally learns the truth about the school, Cressida, and, ultimately, herself."
— Melissa Norstedt, BOOKLIST

"The Finishing School pulls back the curtain to expose a fascinating world of desire, betrayal, and dangerous secrets."
— Lou Berney, Edgar Award-winning author of THE LONG AND FARAWAY GONE

"The Finishing School is a compelling story by a writer who clearly knows her way around the thin oxygen world of the rich and famous. Every page resonates with authenticity."
— Roberta Rich

"If your guilty-pleasure reads include elite boarding schools, secret societies, murder, and scandal, this one's for you."
— Kirkus Reviews

"The Finishing School plunges the reader headfirst into a fast-paced, nail-biting mystery that also manages to explore friendship, love, adolescence, family and motherhood. By the time you reach the unexpected ending, you’ll practically be gasping for air.”

— Jessica Anya Blau, author of The Trouble with Lexie

"A compelling tale of horrific teenage secrets inside the walls of an elite school in Switzerland, unearthed with verve and sly irony. The truth is cold and slippery as ice as Goodman draws us into the darkness beneath the glittering surface of lakes and snowcapped mountains, and of privilege itself."

— Deborah Lawrenson, author of 300 Days of Sun


Joanna Goodman

JOANNA GOODMAN is the author of four previous novels, including Canadian bestseller, The Finishing School. Her stories have appeared in The Fiddlehead, The Ottawa Citizen, B & A Fiction, Event, The New Quarterly, and White Wall Review, as well as excerpted in Elisabeth Harvor’s fiction anthology A Room at the Heart of Things.

Originally from Montreal, Joanna now lives in Toronto with her husband and two kids, and is the owner of the Canadian linen company Au Lit Fine Linens.


Where to Buy


Get in Touch

Hello, my name is
and I'm inquiring about
. You can contact me at

Literary Agent

Beverley Slopen

131 Bloor St. W. #711
Toronto Canada M5S 1S3

T: 416-964-9598
F: 416-921-7726